In the third installment of our series, we explore the striking fusion of craftsmanship and innovation. This time, we highlight Kevin Bradley's hand-printed letterpress works, created with traditional wood type, alongside the sleek Paglianti motorcycle.

Bradley’s meticulous process parallels the precision engineering of the Paglianti, with each letterpress print and bike design pushing the boundaries of both art and performance. Together, they challenge conventional notions of form and function, capturing the essence of movement in a bold new light.

Kevin Bradley’s hand-printed letterpress pieces, including The Matador and Analog 2, redefine traditional printmaking by merging striking typography with layered imagery. Using only traditional wood blocks and a hand-operated press—completely omitting digital tools—Bradley crafts each piece through a meticulous, time-intensive process. His approach embraces both structure and spontaneity, where the natural evolution of text, color, and composition breathes life into his work.

"Letters want to be words, words want to be sentences, and sentences want to be a story."  - Kevin Bradley

Bradley’s creations challenge the boundaries of letterpress by elevating it into a dynamic storytelling medium. His art is not merely about aesthetics but about engagement—forcing viewers to interact with both the words and the visual elements to uncover deeper meanings. Whether through layered textures, hand-painted typography, or bold political statements, his work demands attention and reflection.

Bradley's philosophy on using letters and typography to convey stories is evident in his One Sheet Robot series, which started in Santa Monica and quickly became a signature of his artistic identity. Originally inspired by breaking down letterforms into visual inventions, these robot figures became a vessel for his storytelling—infused with humor, cynicism, and an undercurrent of social commentary.

Paglianti, 1948-1966 | 75cc, 1-cylinder, air-cooled | on Loan with the Lane Motor Museum

The Paglianti 75cc mini scooter is a classic example of Italy’s post-war motorcycle innovation. Manufactured between 1948 and 1966, this model was designed as a step up from mopeds, providing a practical option for riders seeking more power and performance. Its 75cc, 2-stroke engine paired with a 3-speed transmission delivers a perfect balance of speed and control, topping out at 45 mph. 

With its compact build, the Paglianti scooter is a reflection of Italy’s love for efficient, yet dynamic, motorcycles. Though it was produced in limited quantities, its offers a timeless piece of Italian motoring history.

Kevin Bradley’s hand-printed letterpress works and the Paglianti 75cc mini scooter both embody a fusion of craftsmanship and creativity. Bradley’s meticulous use of wood blocks and typography invites viewers to explore the interplay between text and imagery, creating pieces that are both visually striking and deeply thought-provoking. His work seamlessly bridges tradition and experimentation, offering a fresh perspective on the art of printmaking while maintaining a strong connection to its historical roots.

The Paglianti scooter, with its compact frame and efficient 75cc engine, embodies Italian craftsmanship in a small yet powerful package. Its design balances both performance and aesthetic appeal, capturing a significant moment in motorcycle history. Together, these works challenge us to rethink the relationship between creativity, engineering, and form. Visit Chauvet to experience this captivating fusion of art and design in person!